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A Damn Good Shot

TV series
Damages
Mad Men
The West Wing

Movies
Harry Potter
The Social Network

People
Aaron Sorkin

tumblr essays

  1. Wednesday, July 20th 2011
  2. Aaron Sorkin and Truth

    I came upon an old account of Sorkin’s quirky internet forum forays that most likely effected his luddite philosophy after some back-and-forth arguments between the two parties that did not make Sorkin stand out very well to say the least. The forum’s meticulous analyses of the show have unraveled aspects of The West Wing that I did not notice when I watched the show years ago. I implore everyone to read the post for all its points and the presentation of Aaron Sorkin that will differ from what you will be used to reading. One of the points conveniently elaborates on my critique of Sorkin’s writing as theatricality over reality and poetry over prose. In the sixteenth episode of season four titled “The U.S. Poet Laureate”, the laureate, Tabitha Fortis, channels Sorkin’s voice in a soliloquy, as his characters are wont to do:

    An artist’s job is to captivate you for however long we’ve asked for your attention. If we stumble into truth, we got lucky, and I don’t get to decide what truth is. (…) I write poetry, Toby; that’s how I enter the world.
    Res ipsa loquitur. Quoth Aaron Sorkin himself:
    I and everyone else here are, honestly, thrilled that there are these fan sites where strangers get together and talk about the show and like the show/don’t like the show (I’d prefer if you liked the show) but you ought to disabuse yourselves of the notion that what we do is debate a point and then declare a winner. We’re just telling our little stories and doing our lame jokes. And hoping you’ll keep tuning in.
  3. Discuss
  4. Monday, July 18th 2011
  5. My Fundamental Problem with “The West Wing”

    The aforementioned quote by Aaron Sorkin led me to conceive of the best way to formulate my problem with the otherwise great show The West Wing.

    President Bartlet is obviously too likable and one-sidedly good to be anything like a realistic president—the same which can be said about everyone around him, all of whom are in line with Sorkin’ melodramatic atmosphere and cadenced dialogue replete with orchestral fanfare.

    The fundamental problem harks back to the maxim attributed to Mario Cuomo: “You campaign in poetry. You govern in prose.” Sorkin’s world is at odds with the gritty reality of prose, and the presidential term of Bartlet is governed by as much poetry as his presidential re-election campaign.

    Even if people weren’t familiar with Cuomo’s maxim, many will still understand the meaning of it today in the wake of Barack Obama’s campaign and painfully pragmatic presidency—regardless of where you find yourself in the political spectrum.

    Politics is about killing your darlings, forging tenuous alliances and getting people to like you—not because of who you are, but in spite of.

    Bartlet is infallible. No real person is—least of all an accomplished president.

  6. Discuss